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Use of the mask in LGBTQI+ populations in processes of embarkation or execution of work, structuring an archetype alien to their main identity, causing emotional and physical discomfort to the individual. However, an Adinkra ODO NNYEW FIE KWAN symbol is integrated to remind them of their safe place, returning home or to a space of acceptance, respect, and tolerance. In this work we observe the process of thoughts and emotions that the individual faces as they assumes an identity that they are not comfortable with and does not belong to them.

Taking this situation to a parallel between the Mariana Trench, which is a depression in the seabed in the western Pacific Ocean, about 200 km east of the Mariana Islands, which is the deepest area of the Earth's oceans and is approaching its deepest point at 11,034 metres. Making society aware of how complex it is to constantly bring discordant patterns and behaviours into your reality. Use is made of the adinkra WAWA ABA recognising the tools to be acquired during and after the work environment.

The use of the mask is made and alludes to the emotional state of the individual after going through a process of work management and a discordant archetype, where a mask without a mouth and downwards is seen, seeking to recall the silence and absence of psychosocial and cultural liberation. Finishing with the symbol adinkra AKOMA NTOSO that represents the longing for changes in their work, cultural, social, and even religious environment.

Technical Information

Artist: DIANA MILENA SALAS MURILLO.

Year: 2023.

Technique: mixed media - acrylic, oil, gesso.

Support: canvas.

Size of each piece : 132.08 x 86.36 cm.

Total size of the triptych: 396.24 x 259.08 cm.