Frederic Leighton - The Fisherman and the Syren - c.1856-1858
Keynote speakers:
From the publication of John Cleland’s Fanny Hill (1748) to D.H. Lawrence’s Lady Chatterley’s Lover
(1928), literature has imaginatively exploited the relationship between freedom, coercion and sexual
pleasure, constantly pushing at the boundaries of what it is permissible to describe, represent and perform.
At the same time, the history of print, film and theatre censorship has been told as a story of progressive
unshackling from constraint. In this narrative, these ever-widening freedoms and challenges have been
understood as positively beneficial to individuals and to societies. Yet the idea of sexual liberty as an
unqualified good has increasingly come under scrutiny, giving way to the realization that freedom
from sexual constraint can sometimes mean imprisonment in new and alternate structures of power,
frustration and denial. This international, multidisciplinary conference seeks to complicate and enrich
our understanding of the relation between sex, pleasure and coercion in a liberal context. It will explore
the many ways in which literary and visual texts and performances can be understood to create, reinforce,
question and/or dissolve these structures, as well as interrogate the complicity of publishing and the law
in their framing and dismantling.
The conference is organised at Newcastle University by the Long Nineteenth Century Research Group
(School of English), with the support of the Gender Research Group and the Newcastle Institute for the Arts,
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